Emap | Shots

Shots

Essential Information

Platform

Magazine

Division

Inform

Sector

Media

Launched

1990

Subscription Price

£1,499 per annum

Frequency

Bi-monthly

Viewers

Shots has over 38,000 viewers made up from the world’s leading advertising agencies, production companies and facility houses in over 70 countries.

Contact Details

Editor

Lyndy Stout
+44 (0)20 7728 5670

Sales

Yolanda Ayora
+44 (0)20 7728 5686

Subscriptions

Franck Chardon
+44 (0)20 7728 5687

ShotsShots is the leading information resource produced specifically for the commercials and media industries worldwide. It provides an international selection of the most innovative and effective new work produced, from top TV ads and music videos to special effects and spots by talented new directors.

In print, on DVD and online, Shots compiles and features only the most creatively excellent spots, and is firmly established as an invaluable creative resource to professionals around the world.

Subscribers to Shots have access to:

  • A concise selection of the best and most inspiring work from around the world saving you time and money
  • Award-winning work – shots features award-winning spots before they have even been nominated
  • An enlightening Country Focus featuring the latest, most creative work from a specific region every issue
  • The freshest work from the most talented new directors
  • Full credits listings for every spot featured so that you can compile the best team for your next job
  • Hear and learn from the industry’s award winning directors in every issue
  • Shots.net’s online archive, including full credit details, providing on the spot inspiration 24-7

Only the most creatively excellent work makes the cut for Shots meaning our readers have the inspiration they need with every issue.

www.shots.net – Shots.net delivers an archive of the best creative work as well as daily updates of new work

http://blog.emap.com/mediaville/ - the blog that is designed to serve all corners of the converged media world, and includes contributions from Shot’s Stephen Whelan

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